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Professional memberships: British Shakespeare Association, European Shakespeare Research Association, Australian and New Zealand Shakespeare Association, Australian Drama, Australasian Association for Theatre, Drama and Performance Studies,  Marlowe Society of America, Association for the Study of Literature and Environment, Shakespeare Association of America, Association for the Study of Literature and Environment Australia and New Zealand.

Research Publications & Activities

Research Fields: Ecocriticism, Eco-Shakespeare, Affective Ecology, Biophilia, Biophilic Design and Eco-Cognition. 

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Recent Publications

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  • Monograph: Daroy, Alys and Paul Prescott. 2025. Shakespeare, Ecology and Adaptation. London: Bloomsbury Arden Shakespeare; 

  • Monograph: Zeunert, Joshua and Alys Daroy. 2025. Sydney’s Food Landscapes: Agriculture, Planning, Sustainability. London: Palgrave Macmillan [in press]; 

  • Journal Article: Daroy, Alys and Joshua Zeunert. 2024. “Solidarity as Spectacle: Resistance, Resilience and Renewal in the Latvian Song and Dance Celebration.” RiDE: Journal of Applied Theatre and Performance, 29.3: 422–438; 

  • Journal Article: Daroy, Alys. 2022. “I Would Give You Some Violets: Renaissance Collections, Shakespeare and the Troubled Act of Gathering.” Renaissance Studies, 12.5: 118–143;

  • Book chapter: Daroy, Alys and Joshua Zeunert. 2025. “How ‘Woke’ is Eco-Shakespeare?” In Woke Shakespeare, edited by Ian McCormick. Birmingham Academic; 

  • Book chapter: Daroy, Alys, Joshua Zeunert and Rahul K. Gairola. 2024. “Waves of Cognition: Towards a Blue Shakespeare Ecosystem.” In Critical Approaches to the Australian Blue Humanities, edited by Maxine Newlands and Claire Hansen, 211–220.

  • NTRO: “Time, Space, Existence”, Venice Biennale, European Cultural Centre May–November 2023.

  • PhD: 2022. “Biophilic Shakespeare: Towards an Ecology of Form”, Monash-Warwick Alliance.

  • Selection of example blogs and industry articles:

    • "Shakespeare's Language of the Sea", Royal Museums Greenwich, 88 September 2023,

    •  "Shakespeare and Climate Change", Shakespeare's Globe, 20 April 2020, 

    • ​"In China, Groundwater is Dropping Rapidly. Could Kongjian Yu's Sponge Cities Prevent Disaster? Foreground Magazine, 28 February 2018. 

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Recent Presentations and Conference Papers

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  • Keynote Speech: "Solidarity as Song", Latvijas Republikas proklamÄ“šanas diena (Proclamation Day of the Republic of Latvia), Perth Latvian Centre, 18 November, 2024

  • “Dido, Queen of Kinship? Biophilic Marlowe in the Anthropocene”, The Marlowe Society of America 9th International Conference, Goldsmiths University, 9–12 July 2024

  • “Increasing Liveness in the Shakespearean Performance Ecosystem”, British Shakespeare Association Conference, De Montfort University, 26–28 June 2024

  • “Eco-Performance Assemblages and Shakespeare”, Performance Studies International, University of London, 20–23 June 2024

  • “Place and the Anthropocene”, The S Word: Stand in Place, WAAPA Edith Cowan University, 4–7 April 2024

  • “Negotiated Assessment in English and Creative Arts”, WA Teaching and Learning Forum, University of Western Australia, 1-2 February 2024

  • “Negotiated Assessment in University Shakespeare”, Australian and New Zealand Shakespeare Association Conference, University of Sydney, 7–10 December 2023

  • “Literary Forms of Environmental Responsibility”. Philosophy and the Environment: 19th Murdoch Colloquium, Murdoch University, 23 November 2023

  • “Blue Eden: Shakespeare’s Impactful Maritime Ecology”, Shakespeare and the Sea Conference, Royal Museums Greenwich, 8–9 September 2023

  • “Anthropoiesis: Ecological Soundscape Design for the Biennale Archittetura”, Sound, Text, Image Symposium. Centre for Art History and Art Theory, Australian National University, 24–25 August 2023

  • “Science Inspired, Arts Delivered”, Environmental Communication, James Cook University, 5–6 May 2023

  • “Shakespeare’s Sublime Storms”, Ecological Shakespeare in Performance Symposium, James Cook University, 28 April 2023

  • “Ecological Literature and Performance”, Adelaide Festival of Climate Action, 15–17 October 2021

  • “Vibrant Textual Ecologies: Shakespeare and/as Medicine”. The Great Bard in the Context of the Pandemic: Shakespeare as the Medicine. Ukrainian Shakespeare Centre, 23–25 September 2021

  • “Reimagining Shakespeare’s Garden”, ‘The Art Itself is Nature’: Shakespeare’s Nature, Art, Politics, European Shakespeare Research Association, National and Kapodistrian University of Athens, 3–6 June 2021

  • “The Living Globe: Biophilic Shakespeare”, Globe 4 Globe: Shakespeare and Climate Change, 22 April 2021

  • “The Artist and Writer as Environmental Activist”, The Artist as Social Activist: Research Matters, Monash University, 5 August 2021

Research and creative work took place across Noongar, Kaurna and Cammeraygal unceded lands. I pay my respects to Elders past, present and emerging and recognise the legacy and enduring critical importance of First Nations cultures.

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